ZAK – Zentrum für Aktuelle Kunst • 30th January 2027 Visual Poem | Exhibition [Group Exhibition] Anonymous Drawings 2027 – Berlin, Germany (30.01.2027–25.04.2027)
KOOLA Artspace • 28th November 2026 Visual Prose Poem | Exhibition My Winter Days Are Spent Forgetting You [Group Exhibition] (Theme: Material) Helsinki, Finland (28.11.2026–13.12.2026)
World Literature Today • 26th October 2026 Review of the Novel Collapse by Édouard Louis “My brother was sick because of his dreams,” Édouard Louis writes in this autobiographical novel, translated by Tash Aw.
Public Seminar • 1st October 2026 Is There “Another Human Essence Than Self”? An interpretation of Krzysztof Kieslowski’s 1991 film The Double Life of Véronique through a reading of Anne Carson’s 1992 essay “The Gender of Sound”
Sleek Magazine • 6th August 2026 “The Girl Who Wanted to Be God”: Sylvia Plath and Taylor Swift Maggie Nelson describes Swift as someone with a “joy-giving capacity,” a figure associated with cheerful vitality and hopefulness, while Plath is framed through her “genuinely scary extremity” and darkness: “femininity as deadly.”
Published and distributed by F • 24th February 2026 Note on Poet Marina Tsvetaeva F issue 15: IN MEMORIAM
Berlin Review • 21st September 2025 Identity Is a Curse Review of Jonas Hassen Khemiri's novel 'The Sisters'
World Literature Today • 28th April 2020 Normal People in Love: Sally Rooney’s Ordinary Universal Characters Sally Rooney’s 2018 novel is a meticulous observation, or even a study, of how one human being can have immense, intense power over another.
The New York Times • 23rd June 2020 Tiny Love Stories: “I Googled ‘Crisis’” My 100-word creative nonfiction text with the title "A Crossroad For Us and The World" for the NYT Modern Love Column.